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FOEM
1.
Page 1: introduction
Dear FOEM user,
We would like to ask you to take part in the research on netaudio scene. The research is a part of bigger project which was started last year at The Max Planck Institute for the Study of Societies. Completing the questionnaire will take you about 15 minutes.

Please read all the questions carefully and try to answer them. When you answer all the questions on one page, scroll down and click "next page". After answering all the questions please click "finish survey".

Please note that we respect your privacy and that the results of the research will be used ONLY for scientific purposes.

Dr Patryk Galuszka
The Max Planck Institute for the Study of Societies
The Academy of Humanities and Economics in Lodz

1. Please name your favorite artists/bands:

please give at least 3 names

2. Please name your favorite music genres:

3. Since when have you been using the internet regularly?



















4. Using scale below please indicate how often do you:

does not happen at all 1 … 2 … 3 … 4 … 5 happens very often

  1 2 3 4 5
buy music CDs
buy vinyl LPs and singles
buy digital files in pay-per-download stores (e.g. iTunes, Beatport.com)
listen to music streamed by paid subscription services (e.g. Rhapsody)
listen to music streamed for free by internet radio stations, Archive.org, MySpace, etc.
download free (e.g. Creative Commons) music from netlabels' websites, Archive.org, artists' websites, blogs, etc.
exchange copyrighted music in P2P networks, rapidshare, etc. (released by record labels and ripped by filesharers)
listen to traditional radio stations

5. How many hours per WEEK (on average) do you spend listening to music?

give number of hours per week on average


6. Using the scale below please indicate to what extent you agree or disagree with each of the following statements:

strongly disagree 1… 2… 3… 4… 5 strongly agree

  1 2 3 4 5
the internet gives artists more freedom than traditional music business
when artists make music they should think only about making art, not about money
releasing music on netlabels is good only for beginning artists
commerce corrupts art - artist can rarely be commercially and artistically successful at the same time
Creative Commons licenses give artists good protection of their work
artists should do all they can to maintain their independence from the mainstream recording industry
quality of music which is distributed by netlabels is high
artists who are very popular (superstars) are usually better musicians than less known artists
existence of netlabels democratizes music industry/music market
artists cannot become really popular without help of a traditional record company

* 7. Are you: